It’s a Fur-for-All!

July 12, 2008

Here is the most awesome thing I’ll read this month.

Toby Keith has made a movie, Beer For My Horses, named after his hit song featuring Willie Nelson. While I’m skeptical, it sounds like it has the potential to be a lot of fun:

Due to hit theaters Aug. 8, the feature takes its name from Keith’s single of the same name, but the film, he was quick to point out, is nothing like the video for the song.

“The movie is more of a comedy, a tip of the hat to Burt Reynolds,” he explained… “I wanted it be 48 Hours meets Smokey and the Bandit.”

As much as I love Smokey and the Bandit (I am not being remotely sarcastic. Screw you.), that’s not the awesome part.

Keith and [director Michael] Salomon did all the casting, assembling a terrific group of actors that includes everyone from Claire Forlani (CSI: NY), Barry Corbin and Tom Skerritt to Willie Nelson, Mel Tillis and gonzo rocker and hunting buff Ted Nugent.

* * *

At one point, Keith added, a cottontail rabbit crossed the movie set. Nugent, who still had his crossbow in hand from the scene they had just finished filming, shot the animal and gutted it, right in front of all the Hollywood types there on location.

If there is a God, all of this was caught this on film and will be used as a DVD extra. Even if the movie sucks, I’d blow $20 just to see the looks on their faces.

“Kill the Wabbit!”:

(Via Dirty Harry)


Hot Bowie-on-Bowie Action! (Part 2)

July 12, 2008

As promised, here are a handful of semi-obscure David Bowie songs that I would have picked had I been able to wriggle into his ear like that critter in Star Trek II: The Wrath of Khan and control him when he was putting together his freebie newspaper compilation that I posted selections from the other day.

Criminal World

Bowie’s well must have been running dry when he put out Let’s Dance. It has the title track and the stunning “Modern Love,” but beyond that? “China Girl,” which is a fine song but written by Bowie and Iggy Pop several years prior for Pop’s album The Idiot; a faster version of the cheesy but entertaining “Cat People,” originally from the movie soundtrack of a year before; and some completely useless filler. The only other thing worth a damn on this short album (just eight songs) is “Criminal World.” I can understand why Bowie didn’t pick this one, as it’s a cover (and another sign of creative drought), but it’s a fine song nonetheless.

Fan-made video with clips from Pulp Fiction for who knows what reason. Ignore it–as Senator Obama would say, it’s a distraction.

Velvet Goldmine

This is a bonus track on certain reissues of The Rise and Fall of Ziggy Startdust and the Spiders From Mars, and from the same era. Todd Haynes named a movie after it, which I haven’t seen (although I liked his movie Safe, which the handful of other people I know who have seen it hated. I know you were dying to know that).

The Heart’s Filthy Lesson

This one got some radio play when it came out, but I’m guessing that it’s largely forgotten. This fan-made video has footage from Labyrinth, which some people like for reasons that baffle me.

Move On

This song is also from The Lodger, which I previously noted as my favorite Bowie album (most days). I love the way the protagonist is a cocksure, James Bond-like figure at the beginning of the song, but the mask slowly falls to reveal an anguished, heartbroken man, all in the span of three minutes and change.

Sons of the Silent Age

A pretty song from “Heroes”. Unfortunately, the only video I could find was this one set to completely inappropriate Terry Gilliam animation. Please, do something other than watch the video when the song is playing.

Thus ends the obscure Bowie marathon, unless you, dear reader, have something you’d like to add.