My Favorite Songs of the Year of the Ox
It’s about a week into the year of the Tiger. RAWR!!!
Lets look back at the year of the Ox.
Although many excellent albums were released during this most Bovine of lunar cycles, a few stand out in my mind as truly noteworthy. The nameless decade (I refuse to call it Oughts [fucking Steam Punks]) is over people! A new age is a brewin, three years ago I would have predicted a Grunge revival following the 70’s revival in the 90’s and the 80’s revival in the 00’s, a 90’s revival in the 10’s seemed logical. However, the fact that bands like “Nickleback”, “Creed”, and “Staind”, with the help of the corporate asshats at KROQ, managed to milk Grunge well after the teats of the Puget Sound’s sound shriveled and died off, the 90’s managed to morph into the early 00’s and it might be another 5 to 10 years until the flannel is flyin’ again. Frankly I hope I’m dead by then. I know Neil Young will be.
Well it’s time these youngsters came up with something new (as new as any modern Western music can be anyway). With that in mind, one album stands out in my mind that may help to define this “new” sound I’m looking for. Manners, the first full length album from the band “Passion Pit” was one of the first of what I hope will help to define this new sound that seems to be coming out of the East, hatched in dorm rooms, lofts, and Vermont hippie collectives on Macbook Pros by lovelorn lads and lasses (Passion Pit), Canadian Expats (Metric), College sophomores on LSD (MGMT) and plain old fashioned Freaky McFreaker’s like “Dirty Projectors”, “Animal Collective” and “Yeasayer”.
Anyway, that’s what the kids tell me and the last time I checked the kids are still alright.
Oh and just because it has synthesizers in it doesn’t mean its “80’s”. That’s a shortcut to thinking. How can a decade monopolize a musical instrument?