Call it Friendo…

November 2, 2010

I heard this song in a video game commercial on TV. I googled the commercial and found the song name and band. Then I googled the song name and band and found a fan video made from clips of a movie made from one of my favorite books that I read when I was in Montana. Now a guy from the California knows about a band from Austin, Texas. Then I posted this video and the above information to this blog. This all occurred within the last 11 minutes. In ten years, that will be 10 minutes too long.

Good night and good luck.

Alex


Justin Moore Award Nominee: “Miracles” by the Insane Clown Posse

April 9, 2010

I really don’t want to bag on ICP too much, for the following reasons:

  • They are a profitable business in my beloved home state of Michigan. In fact, the list of profitable businesses in Michigan is as follows:
    • Ford
    • Jack White
    • Eminem
    • Insane Clown Posse

Unfortunately for Michigan, the list of profitable businesses ends there.

  • I am an eternal juvenile, and have to confess to snickering to a handful of their rhymes in the past.
  • Stranglemania 2 is a longstanding post-imbibement ritual at Casa de Winslow.

But I’m sorry. Sentimental thoughts, guilty confessions, and the entire economy of my home state must sometimes be put aside. I am, after all, a big-time music critic, so I must dismiss such trifles as the childish things they are in service of the larger task of telling the truth.

So it must be said–the first nominee for the Justin Moore Award for Worst Song of the Year has arrived. That nominee is “Miracles,” by the Insane Clown Posse.

I shall write no more on the topic. Instead, I’ll just quote a few lyrics.

We don’t have to be high to look in the sky,
And know that’s a miracle opened wide,
Look at the mountains, trees, the seven seas,
And everything chilling underwater, please,
Hot lava, snow, rain and fog,
Long neck giraffes, and pet cats and dogs.

Niagara falls and the pyramids,
Everything you believed in as kids,
Fucking rainbows after it rains,
There’s enough miracles here to blow your brains.

I fed a fish to a pelican at Frisco bay,
It tried to eat my cell phone, he ran away.

I see miracles all around me,
Stop and look around, it’s all astounding,
Water, fire, air and dirt,
Fucking magnets, how do they work?

Magic everywhere in this bitch.


Bright Eyes, Neil Young, and Dave Rawlings: Plagiarism or Not?

April 5, 2010

Plagiarism or not?

I think the answer is no, but here’s why I ask.

I finally got around to listening to A Friend of a Friend, the recent album by the Dave Rawlings Machine. Track four is a double cover of Bright Eyes’ “Method Acting” and Neil Young’s “Cortez the Killer.”

Listening to Rawlings perform “Method Acting,” I was struck by how much it resembled a different, and somewhat obscure, Neil Young song, “Distant Camera.” I’d heard “Method Acting” before, but did not notice the similarity in Bright Eyes’ raucous original version.

So I’m 95% sure that Conor Oberst is innocent, and even if he’s guilty, it’s entirely excusable plagiarism. The arrangement makes “Method Acting” and “Distant Camera” very different songs.

So the next question is, coincidence or not?

No idea on this one. Rawlings is a pretty clever guy. Was Rawlings saying, “You think this is Bright Eyes and Neil Young, but it’s actually Neil Young and Neil Young”?

Am I the first to get the joke?

Listen for yourself.

Bright Eyes – “Method Acting”

Neil Young – “Distant Camera”

Dave Rawlings Machine – “Method Acting/Cortez the Killer”

Bonus Track

Neil Young – “Cortez the Killer”


Weird: The Al Yankovic Story

March 23, 2010

Coming soon to a theater near you. Weird: The Al Yankovic Story. I know the Oscars just wrapped up but I think this should be a strong contender for next year. It’s time the world new the story behind one of music’s greatest geniuses. Here’s the trailer.


My Favorite Songs of the Year of the Ox

February 23, 2010

It’s about a week into the year of the Tiger. RAWR!!!

Lets look back at the year of the Ox.

Although many excellent albums were released during this most Bovine of lunar cycles, a few stand out in my mind as truly noteworthy. The nameless decade (I refuse to call it Oughts [fucking Steam Punks]) is over people! A new age is a brewin, three years ago I would have predicted a Grunge revival following the 70’s revival in the 90’s and the 80’s revival in the 00’s, a 90’s revival in the 10’s seemed logical. However, the fact that bands like “Nickleback”, “Creed”, and “Staind”, with the help of the corporate asshats at KROQ, managed to milk Grunge well after the teats of the Puget Sound’s sound shriveled and died off, the 90’s managed to morph into the early 00’s and it might be another 5 to 10 years until the flannel is flyin’ again. Frankly I hope I’m dead by then. I know Neil Young will be.

Well it’s time these youngsters came up with something new (as new as any modern Western music can be anyway). With that in mind, one album stands out in my mind that may help to define this “new” sound I’m looking for. Manners, the first full length album from the band “Passion Pit” was one of the first of what I hope will help to define this new sound that seems to be coming out of the East, hatched in dorm rooms, lofts, and Vermont hippie collectives on Macbook Pros by lovelorn lads and lasses (Passion Pit), Canadian Expats (Metric), College sophomores on LSD (MGMT) and plain old fashioned Freaky McFreaker’s like “Dirty Projectors”, “Animal Collective” and “Yeasayer”.

Anyway, that’s what the kids tell me and the last time I checked the kids are still alright.

Oh and just because it has synthesizers in it doesn’t mean its “80’s”. That’s a shortcut to thinking. How can a decade monopolize a musical instrument?

Passion Pit: Moth’s Wings

Yeasayer: Amblin Alp

Metric: Help I’m Alive


Dirty Projectors: Stillness is the Move

Animal Collective: Summertime Clothes

Enjoy, I’m going to eat some Nutella on Wonder Bread because I’m White.


The Hotrats cover (You Gotta) Fight For Your Right (To Party!)

February 20, 2010

I just picked up “The Hotrats” aka “Supergrass” album Turn Ons featuring all covers. Unfortunately, I was expecting some Zappa given their nome de plum, alas, not this time. However, I do dig their version of “The Crystal Ship”.

Here’s the track list.

  1. “I Can’t Stand It” (Lou Reed) – 2:40
  2. “Big Sky” (Ray Davies) – 3:00
  3. The Crystal Ship“(Jim Morrison/Ray Manzarek/John Densmore/Robby Krieger) – 2:34
  4. (You Gotta) Fight for Your Right (To Party!)” (Adam Horovitz/Adam Yauch/Michael Diamond/Rick Rubin) – 2:41
  5. “Damaged Goods” (Dave Allen/Hugo Burnham/Andy Gill/Jon King) – 3:07
  6. Love Is the Drug” (Bryan Ferry/Andrew Mackay) – 3:42
  7. Bike” (Syd Barrett) – 2:42
  8. Pump It Up” (Declan MacManus) – 2:41
  9. The Lovecats“(Robert Smith) – 3:03
  10. Queen Bitch” (David Bowie) – 3:02
    • Originally recorded by David Bowie
  11. “E.M.I.” (Steve Jones/Paul Cook/Glen Matlock/John Lydon) – 3:24
  12. Up The Junction” (Chris Difford/Glenn Tilbrook) – 3:21

The King is 75

January 8, 2010

Today would be the 75th birthday of Elvis Aaron Presley.  There have been plenty of things said about “the King of Rock and Roll”, but his stage presence and showmanship are pretty undeniable.  When I was a kid, my Dad kept a steady rotation of Kenny Rogers, the Beach Boys, and of course Elvis pumping through the 8-track player in his ’77 Cadillac (no lie).  As I’m writing this, I’m visiting my family at their home in Louisiana.  As I walked in the front door, I was greeted by Elvis performing this southern anthem during his 1970 Vegas performance in the documentary “Elvis: That’s the Way It Is”.  The song, Polk Salad Annie, written by Tony Joe White, was set less than 30 miles from where I am right now.  My Dad, a die-hard Elvis fan, had never seen Elvis perform this song until now.

If you read this tonight, head over to TCM as they’re having an Elvis marathon.


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