Bang Bang (My Baby Shot Me Down)

December 19, 2009

Sonny Bono wrote at least three killer songs. I prefer “I Got You Babe” and “Needles and Pins” in cover versions, but when it comes to “Bang Bang (My Baby Shot Me Down),” I’ll take the original, by his then-wife Cher.

Cher’s melodramaticism is both the reason for her success and the reason she’s never really gotten respect. I understand both, but maintain that the world is a better place because “Gypsies, Tramps & Thieves” exists. Your opinion may differ, and I’m not inclined to put my reputation as a big-shot music critic on the line to argue. Regardless, she certainly had her moments, and “Bang Bang” may be the greatest of them.

(“He didn’t take the time to lie.” Now, that, my friends, is a lyric.)

Quentin Tarantino clearly loves the song as much as I do, but let’s face it, in hipster world, admitting you like Cher is not cool, not cool at all. So he used the then-obscure Nancy Sinatra version, released the same year as Cher’s, for Kill Bill. It works brilliantly in the context of the movie, but absent the anticipation of the beginning of a violent film, it’s a bit boring despite a nice vocal.

It’s OK, though. Now you have an excuse to admit you like a Sonny and Cher song.

This brings us to cult musician Terry Reid. I will probably write more on Terry Reid later, but for now I’ll briefly recap the legend. Terry Reid was asked by Jimmy Page to take vocals in Page’s new project. Reid declined, and suggested Page check out a fellow named Robert Plant instead. Page clearly knew exactly what he was looking for, because Reid is without question the proto-Plant.

Terry Reid’s version of “Bang Bang” is from his first long player, Bang, Bang, You’re Terry Reid. It has lots of guitar.

Jack White performs the song as well, in his Raconteurs guise. This take is more likely than not informed by the Terry Reid version. Unfortunately, Mr. White can’t stop himself from a cheap, obvious, and easy tweaking of the lyrics, and so turns the song into interracial homo cowboy kind of love, as the Reverend Horton Heat put it. This somewhat spoils an otherwise good interpretation, which is too damn bad. Playing it straight (no pun intended) would have been a much better call. Jack–when Cher is more subtle than you, there’s a problem.

On Deaf Ears™ is always delighted to tell you more than you ever really needed to know.


It Might Get Loud

June 21, 2009

I really, really, really need to see this movie.  I have always had a fascination with the guitar as an instrument.  I bought an acoustic from a pawn shop in Beaumont, Texas back in 2002, and I just recently bought my very first electric.  I love music on so many different levels, and I had a burning need to step away from the sidelines and create something of my own.  I have no designs on becoming a rock star or even being in a band.  I just want to make music.  Some people want to paint, some want to knit, I just want to rock.

I had never heard about the movie It Might Get Loud before stumbling upon the trailer on the intarwebbernets, but even the very limited glimpse that is given in the trailer makes me infinitely curious and excited about what these three musicians will create when they get together.  Jimmy Page, The Edge, and Jack White getting together in one room with their guitars sounds pretty close to heaven, and I’m stoked to see the result.  I hope that this comes to the Alamo Draft House so that I can drink some beers while I sit back and soak in the awesomeness.  Bring it!

Some observations:

1.  Does Jack White belong in this group?   Sure, he’s a mean player, but I’m not sure.  I guess the filmmakers are trying to pull together three different generations of guitarists, so it makes sense, but I don’t know that I would put Jack quite up there with Page and The Edge.

2.  On a similar note, does The Edge belong here?  He has a very distinctive sound that’s all his own, but how insane would it have been to see Eddie Van Halen take his place?

3.  Wow, Jimmy Page is looking old.

4.  All criticisms aside, this movie is still going to be incredible, and it just might change the way I look at the guitar.


Dolly Parton’s Got a Whole Lotta Love

September 5, 2008

As our country covers theme week(of which I was one of the only participants) draws to a close, I will take the opportunity to add one more to the fire.  When I first heard that Dolly Parton had performed a cover of Led Zeppelin’s most recognized monster hit, “Stairway to Heaven”, my reaction was, to quote the song itself, “The forests will echo with laughter.”  That means I laughed, because it sounded so ridiculous.  I made it a point to seek out this song so that I could mercilessly mock it to death in my own mind.

I should have known better than to question the genius of Ms. Parton.  While her fun-loving persona and considerable physical assets have become the most recognizable aspects of her persona, the woman responsible for such giant smash hits as “Jolene”, “9 to 5″, and “I Will Always Love You”, among countless others, knows her way around a song.  I was pleasantly surprised by Dolly’s straightforward take on the song, and her voice sounds angelic.  The song almost foreshadows Robert Plant’s later collaboration with country music’s other crystal clear vocalist, Alison Krauss.  I tip my hat to you, Dolly.


Happy Birthday, Blues Man!

July 1, 2008

Today would have marked the 93rd birthday of Willie Dixon, the man whom many credit as one of the largest influences on rock ’n’ roll.  Many bands of the 50′s, 60′s and so on owe a great debt to this artist.  However, I often think that maybe he stole everything he knows from Led Zeppelin.

What?  They stole it from him?  Oh, I see…


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